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Though 'twere to buy a world of happy days.' "Open that door, Mrs. Geoffrey," says the doctor pointing to his right hand. "I saw you coming, and have prepared him for the interview. I shall be just here, or in the next room, if you should want me. But I can do little for him more than I have done." "Nicholas, what is the meaning of this?" says Geoffrey, a few moments later, coming up with a darkening brow to where Nicholas is leaning against a wall. "What has possessed Mona to give that fellow a dance? She must be mad, or ignorant, or forgetful of everything. She was with you: why did you not prevent it?".

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He is not sure of anything of the kind, but he says it nevertheless, feeling he owes so much to Violet, as the conversation has drifted towards her, and he feels she is placed—though unknown to herself—in a false position. Another pause. Mona is on thorns. Will the branching path, that may give her a chance of escaping a further tete-a-tete with him, never be reached? "There are times, I confess," goes on Mr. Darling, disposing of Geoffrey's mundane interruption by a contemptuous wave of the hand, "when light breaks in upon me, and a joyful, a thrice-blessed termination to my dream presents itself. For instance, if Geoffrey could only be brought to see things as they are, and have the grace to quit this mortal globe and soar to worlds unknown, I should then fling myself at your feet, and——" It is a very pretty room, filled with a subdued light, and with a blazing fire at one end. All bespeaks warmth, and home, and comfort, but to Mona in her present state it is desolation itself. The three occupants of the room rise as she enters, and Mona's heart dies within her as a very tall statuesque woman, drawing herself up languidly from a lounging-chair, comes leisurely up to her. There is no welcoming haste in her movements, no gracious smile, for which her guest is thirsting, upon her thin lips..